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Tuesday, May 13, 2008

Let's Talk About... Sitek the Great?

Posted by Andrew R Tonry on Tue, May 13 at 3:18 PM

Ezra post earlier today got me thinking.

He mentions that Dave Sitek and Dave Bowie both lent their “cred” to Garbage Scarlet Johansons album. This is true, but it moved me on to another place:

Why is Sitek considered such a fabulous producer?

I thought so too for a time, but Im starting to reconsider. Have you heard the new Foals record? Its terrible! The whole thing just sounds flat and empty and lifeless (which cannot all be Sitek’s fault). So what else has he got to his name? Of course, there are the TV on the Radio albums, of which I would argue Return To Cookie Mountain is the only truly special work of production.

So that leaves the Liars (whos best produced album, Drums Not Dead, they did without Sitek), Yeah Yeah Yeahs (good big drum sounds), and Celebration (uhm, who cares?). And, save for a handful of remixes, thats really the width of Siteks notable production credits. I havent heard anything truly characteristic—something you could call a Sitek Sound except maybe for a smattering of expensive keyboards and the inclusion of some popular New York friends.

Now Brian Deck, theres a producer with an identity. Have you heard Red Red Meat’s There’s a Star Above the Manger Tonight? It’s full of fucking awesome and often confounding studio experiments. Good God. He killed it on all those Modest Mouse records as well.

I dont write this to take shot at Sitek as much as to ask you to consider what constitutes a great producer? Is Sitek one? The jury’s still out. So let’s leave him out of the pantheon for now, OK? But after working on the Garbage Johanson abomination perhaps a little tongue-lashing is due. Certainly it begs the question, “does dude have any idea what he’s doing?”

Seriously, why get involved in that clap trap? To hang lustily around the voluptuously untalented? Or is there actual belief in the project? Now, Bowies involvement I get. The White Duke probably had her licking cream out of a saucer and polishing his boots with her scrumptious knockers the moment he floated across the threshold. But Sitek?

Well… buddy, if Im wrong and you got up in there, the jokes on me.

Comments

he also produced the last few ohsees albums, which are kinda good but by no means great... i havea few friends who are into that, though...

sitek is actually one of my favorite producers. for the most part, i think he captures drum sounds wonderfully, and in addition to return to cookie mountain, the young liars EP was impeccably produced [my favorite song, "blind," sounds like a post-punk song remixed by dj screw].

my favorite thing about sitek is that he goes for the unconventional as often as he can. i mean, show your bones and the modern tribe were clearly pop-sounding records, but for the most part, sitek's got this weird, noisy wall-of-sound that suggests phil spector and kevin shields on an opiate bender.

but that could be just me.

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