
Holyfuckingshit, this blog made it through the year!
I know I didn't just win a Cable Ace award or anything, but I would like to thank our comically underpaid contributors—Rob Simonsen, Ned Lannamann, Andrew Tonry, Minh Tran, Liza Lubell—and especially you dear readers who made room in your RSS feeds for this little blog of ours. Thank you.
We now leave you with one final song for 2008, and we hope that your New Year's Eve is just as eventful—"Woke up with fingers crossed, In a boy's bed with your pants off"—as the one in Casiotone for the Painfully Alone's "New Year's Kiss."
Thank you very much for a great year.
LISTEN:
Casiotone for the Painfully Alone - "New Year's Kiss"
So the annual RiverCity Bluegrass Festival is coming to town January 9-11, bringing pickers, grinners, singers, and sinners together for a pluck-happy, buck-slappy weekend of fun. (God. I'm sorry about that last sentence. A week off and I'm a little out of practice. Also, has anyone in real life ever heard anybody refer to Portland as the "River City"?)
It all takes place at the Oregon Convention Center, that most romantic and intimate of venues, but the party doesn't stop there, no sir! As indicated on the website, jamming is encouraged at the venue AND after hours at the Red Lion Hotel. Bring your instruments! The Red Lion is even opening up their ballroom for mandoliners and hand-drummers and all! But do heed the warning at the end of that webpage, in all red letters: "They are requesting that no one sleep in the jamming areas."

The emcees—Animal Farm, Serge Severe, Line of Fire, Mic Crenshaw—that kick it under the umbrella of Focused Noise Productions offered up a tour-only mixtape earlier this year. But if you missed out, they are giving you a late Xmas present and posting the entire sampler right here, for free.
It's a Zshare link, so get ready for pop-up windows and bizarre ads involving women in bikinis, but your patience will be rewarded with 24 tracks of solid local hiphop.
LISTEN:
Animal Farm - "Move It"
Hoo-RAH! It's another leaked song from The Lonely Island boys (Andy Samberg, Akiva Schaffer and Jorma Taccone), and this one arrives just in time for all you "sportz nutz" who will undoubtedly spend your entire New Year's Day jizzing in your pants over football. (Why, that's right… The Lonely Planet are also responsible for the hilarious SNL digital short "Jizz in My Pants.")
Check out "We Like Sportz"—which would be hilariously awful, if you weren't jamming so hard on it by the end.

Good morning my little lambs.
Get ready to twee your pants with this little audio treat from the Online Romance. "Ladybug, Don't Smile," is the first peak at a full-length album in progress from Jack Saturn's now-expanded indie pop band. Oh, and check out those matching scarf sets—remember bands, if you don't look good, you don't sound good.
The Online Romance looks damn good.
Copy and paste Jack's quote right here:
We are still hard at work on our album, and just recently acquired a new pianist and organist. We hope to be back on some Portland stages by March or so.
So until March, just listen to this song over and over and over again.
LISTEN:
The Online Romance - "Ladybug, Don't Smile"

First things first: The Tallest Man On Earth show at Rontoms last night was phenomenal. Hopefully you made it in, before that horrible line started bending down the block. The Tallest Man was a sharp player, a gruff singer, and a intriguing performer. Opener Mimicking Birds are a group you'll surely hear more from in the future. They're a young Portland band who Isaac from Modest Mouse recently signed and recorded. Debut to drop in Spring... Reminds of Band Of Horses... just the begining...
Anyway, on to some required reading: a terrific update on the state of music + money by Jon Pareles.
The question is: What happens to the music itself when the way to build a career shifts from recording songs that ordinary listeners want to buy to making music that marketers can use? That creates pressure, subtle but genuine, for music to recede: to embrace the element of vacancy that makes a good soundtrack so unobtrusive, to edit a lyric to be less specific or private, to leave blanks for the image or message the music now serves. Perhaps the song will still make that essential, head-turning first impression, but it won’t be as memorable or independent.
Serious Shit. Read the Whole Thing.

The modest drumkit of Mr. Peart. Probably not for sale at Revival.
I'm not going to lie to you, dear readers. I know nothing about drums. Sure, everyone is aware of the fact that drums were invented by Neil Peart when he joined Rush in 1974—previous to Fly by Night, percussion did not exist—but that's about all I know.
Thankfully Revival Drum Shop is opening soon and will answer all my questions. The store is the work of Jose Medeles (The Breeders) and Scott McPherson (Beck, M.Ward), and is scheduled to open early February at 1465 NE Prescott (next to Tiga). Here is Medeles with some details:
A little about Revival Drum Shop:
- It will be a place where a drummer can come hangout, hit some great vintage and custom drums, cymbals, and eclectic percussion pieces. Or check out the gallery of drum art done by local artists,
sit down have a coffee, thumb through a drum book while listening to Coltrane spinning in the background.
- Our services will include rentals, repairs, lessons, workshops, clinics, kids programs, sell, trade and host solo drum performances. Revival will stock drumheads, sticks, accessories and parts.
I hope this adorable 'Lil John Bonham shops there.
It's only fitting that the same week we toss some coverage towards the always splendid The Penny Jam, they go out and release a new video. This time it's one-man-band, and Blazers superfan, Jon Ragel of Boy Eats Drum Machine performing at Kush Carpets.
Good thing Ragel didn't breakdance—no one wants to witness a grown man get rugburn.
Merry Christmas, and mrrrrow!
Get this: Turns out there was actually local music from Portland before you moved here from California—I know, crazy, right?—and this excellent live video from 1993 of Pond performing at the legendary X-Ray Cafe is proof of that. The famed venue, which now houses the less cool Liberation Street Church, is prominently featured in the video, with their "Xpresso" and customers who bring their own rodents (see the end of the video). Also keep an eye out for flannel, actual (non-ironic) crowd surfing, and the guys with long hair. Long hair! Oh, the '90s!

Listen people, we're fucked. The weather is never improving and we might as well just accept our new existence on this planet of ice that we once called Portland. Unless—somehow, someway—we can change the weather.
We all know this blog is powerful—second only to God himself—so maybe if we post a sunny song, instead of our usual nonstop parade of bedwetting emo and occasional Bone Thugs-N-Harmony track, things will improve? Well, here goes...
LISTEN:
The Beatles - "Good Day Sunshine"
Crap. That didn't work.

This just in from the End Hits gossip desk:
Which high-energy Portland band will supposedly be cooking up some rock and roll goodness alongside Rachel Ray at SXSW. They'll be playing her afternoon BBQ party/showcase, but hopefully they'll get paid in something other than her tacky merchandise. Yum-O!
Comment below with your wild guesses.
I'm no Rod Hill—KATU's weather hunk, I hear he has keys to their chopper—so the only way I know how to properly gauge this snowfall is if it's too deep for me to outrun the cops.
It is not. Trust me.
But in the amazing "I Tried" video from Bone Thugs-N-Harmony (featuring everyone's favorite Konvict, Akon), the snow is indeed too deep to escape the pursuing Cleveland po-po, who chase (and rough up) a suspect who did not commit a crime. Wrong place, wrong time. Move to Oregon, dude, you can totally outrun the cops here.
SE Portland—via Auckland, New Zealand—band the Mint Chicks have recently wrapped up their follow-up recording to Crazy? Yes! Dumb? No!. It's called Screens and will grace record store shelves sometime next year, but until that happens you can peep the strange, Max Headroom-esque, video for a new track entitled "Enemies."
Also, if you like your Christmas presents to be unwrapped 8-bit digital downloads—And who doesn't?—the band is releasing a free collection of 8-bit songs called Mintunes on the 25th of this month. It truly is a Christmas miracle.
Oh, the Mint Chicks are opening for the Presidents of the United States at the Crystal tonight.

Unless you want deny Tiny Tim his fat Christmas goose, you'll pry upon your wallet and purchase the new We Rock for Food compilation. Consisting of 15 bands on eight different local labels—and available at Everyday Music on Sandy, Tender Loving Empire, and Music Millenium—the compilation has a goal of raising $2000 for the Oregon Food Bank. That would equal 1600 meals for their needy recipients.
The full list of bands is right here: Boy Eats Drum Machine, the Slip-Its, Mean Jeans, Church, Future Historians, Power of County, The Plankton Beat, Jared Mees and the Grown Children, New York Rifles, No Go Know, DoublePlusGood, Chris Tsefalas, Blue Skies for Black Hearts, This Fair City and Super XX Man. For more info, visit the Union Records site.

Here's a song from All Smiles, the project of former Grandaddy member Jim Fairchild.
LISTEN:
All Smiles - "Foxes in the Furnace"
Ho, ho, Jim! You complain about the cute but irksome animals getting into your furnace, clogging up the works, and generally fucking things up (a very loose interpretation, to say the least), but look at you now! Besieged by chickens with nary a fox in sight to rescue you!
You can read all about All Smiles in this week's paper (or by clicking on these words). In the article, I mentioned how the forthcoming record, Oh for the Getting and Not Letting Go, reminds me of Elliott Smith and the Beatles, but here's what Jim had to say when I asked him about his influences for the new album.
I guess maybe the Mountain Goats and Caetano Veloso and Paul Simon. I don't really know how much influence they had on the album. Mostly I felt frustrated that it was taking so long and that is what the album sounds like to me. Without the great support of folks around me, I'd be fucked and this thing wouldn't have been made... always the case...Oh for the Getting and Not Letting Go will hopefully be released next year, but if you can't wait—and who could blame you?—you can get a very special limited first edition silk-screened copy at the All Smiles show at the Doug Fir tonight. Tonight, All Smiles will consist of Fairchild, plus Danny Seim and Justin Harris of Menomena, and Joe Plummer of Modest Mouse and Black Heart Procession, which is pretty rad.
w/The Cajun Gems, Inside Voices; Doug Fir, 830 E Burnside, 9 pm, $8

Oh dear god, there is actual snow on the ground. Thankfully I'm sheltered inside, because if I touch the snow, it will burn, right?
That's what I thought.
So time to keep this Arctic Death series rolling along, and this time we have a request on the End Hits reader hotline. "ambrown" mentioned Minus the Bear's "Hooray," which is an excellent suggestion, seeing how it's a winter song from the pansy Pacific Northwest perspective: "It's cold and snow's actually on the ground of this no-snow town." Enjoy.
LISTEN:
Minus the Bear - "Hooray"

In our upcoming issue—out on the frozen streets of Portland sometime tomorrow (Godspeed, you brave distribution drivers!)—we ask dozens and dozens of members of this city's local music community to list their top five albums of 2008.
Now it's your turn.
Comment below on your top five, and feel free to include your favorite single (mine is this song, but only because my obsession with this video) of 2008 as well. Once everyone has posted their top albums, we'll all go through the list and silently judge you on your taste in music.

We interrupt our ongoing Arctic Death™ series to bring you the following bulletin:
Due to weather, tomorrow night's (Wednesday's) Blind Pilot/Loch Lomond show at the Aladdin Theater has been rescheduled for Jan. 17, 2009. All tickets will be honored at that show.
Just so ya know!

The great repeato-psych group from San Francisco, Wooden Shjips, have a Christmas present for you:
Our holiday cassingle is sold out, so we’ve made the songs available here as free downloads. All money from sales of the cassingle went to the SF Food Bank. If you enjoy these songs and have the means, please consider making a donation to your local food bank. Happy holidays!
Simply visit woodenshjips.com and click the little present thing. Also, if you do a "Save Link As" on the amp image, you'll get their awesome "Shrinking Moon." Now we just need to get the dudes to tour. Shit, Portland isn't THAT far from the Bay. Let's get to it, eh?

I drove down Killingsworth on Sunday afternoon, during the height of Winter Blast Y2K8™. It was treacherous. Truly. Cars were running off the road left and right. One car pulled out in front of me quickly and I nearly couldn't stop in time. Avalanches tumbled down the sides of the road. Polar bears pawed at the side of my car. Snow goblins tried to steal my Christmas spirit.
East Coasters and Midwesterners have been scoffing at Portlanders' overreactions to the tiny dribble of snow we've received here. Driving skills have been a particular subject of scorn. But what these intrepid snow-experts ("snexperts"?) forget to mention is that in other parts of the country, they lay down sand and salt on the roads. Portland doesn't. So the snow that falls, miniscule amount though it may be, ends up getting blown, compressed, and frozen, turning into a sheet of ice on the road that is entirely car-unfriendly. I'm from New England; I learned to drive there. I know how to handle cold weather, and I know how to drive in snow. But without any salt or sand on the roads, my Sunday jaunt down ol' Killingsweee Lane was a bit of a hair-raiser.
On that note, here is an excellent song from Cory Gray's Carcrashlander, from the similarly excellent Mountains on Our Backs album. It's not about the danger and excitement of driving down an icy Killingsworth Ave; rather, between meditative verses come blasts of guitar and electric piano, skidding and careening around with equal parts control and abandon.
LISTEN:
Carcrashlander: "Killingsworth Frost"

While I don't know much about the mysteries of snow—Witches make it, right?—I do know that the best music to accompany the bad weather we've been having is something emo, and preferably Scottish.
Thankfully we're in luck with the Twilight Sad who fulfill both prerequisites while adding their very own sense of impending doom to each and every song they deliver; hence titles like "Here, it Never Snowed. Afterwards it Did." The Scots do sadness quite well—that would explain why I cry every time I hear Nazareth's "Love Hurts"—but not even Belle & Sebastian can touch the misery of the Twilight Sad. Perhaps the two bands should conduct a sad-off? I volunteer my services as a judge.
LISTEN:
Twilight Sad - "Here, it Never Snowed. Afterwards it Did."

Brooklyn based singer Brittain Ashford makes spare, gorgeous folk songs, with a crystalline coldwater voice and various pluckings from autoharps and dulcimers. Here's a seasonally appropriate song from her Hinah session recorded in France back in March (you can hear more here); it's a song that doesn't appear on her fantastic, haunting record There, But for You, Go I—but I can't think of a better song to listen to as my circulation slows to a crawl and my extremeties become numb. She'll be in town next week playing a show with Shelly Short. Hopefully things will be warmer by then, but Ashford's nourishing voice is capable of generating its own heat.
LISTEN:
Brittain Ashford - "Snow" (from Hinah session)
Brittain Ashford plays at Valentine's on Tuesday, December 23.

Ever since having my mind blown by Swedish vampire flick Let the Right One In, one song has been stuck in my mind on constant rotation: "The Cold Swedish Winter" by Jens Lekman. Really, how can that picture of Oskar in the snow above not make you yearn for some time in the frozen forests of Sweden?
While it is not his best song by any means (I'll defend Lekman to the death, but his rhyming of chili with chilly is cringe-worthy), there are so many poignant, sweet, and utterly sad parts to it that it complements Right One perfectly. He sings about wanting to kiss his new lady-friend because he likes her and not because they're stuck in a blizzard together, but then follows that up with the chorus of, "The cold Swedish winter is right outside, and I just want somebody to hold me through the night." He's vulnerable and desperate, two feelings that run throughout Right One, and two things that seem to go hand in hand with being lonely in the wintertime.
Sweden may only—according to Cliff Richards—be porn and gonorrhea, but between the gentle croon of Jens Lekman and the incredible sweetness of Let the Right One In, I don't know if there is any place I would rather be more.
LISTEN:
Jens Lekman - "The Cold Swedish Winter"

Photo taken outside the Mercury offices
There is nothing like waking up to frozen car doors, ice everywhere, and the shrill panic of our local action news. But since we here at End Hits are still part of the media, we feel the need to contribute to the weather-based hysteria in the only way we know how: through song. So, all this week—or until we get bored with the idea, or the weather improves—we'll be posting music to soundtrack this icy hand of death that currently grips Portland. Panic! Arctic Death will kill us all!!
LISTEN:
Black Sabbath - "Snowblind"
Much like Scarface was an uplifting tale about a young Cuban entrepreneur—and nothing else—"Snow Blind" is definitely only lyrically focused on frosty weather and the limited visibility triggered by a snow storm. I mean, what else would a reckless rock band like Sabbath write about? Just like their tender ode to gardening, "Sweet Leaf," here Ozzy and company gives us a weather report that we can all relate to. Oh man, I can't feel my face.