
Three good things to share from today's Arts section of the NY Times; something local, something old and something to make you laugh (but only a chuckle under your breath).
1.) More Than Just a Theater, With More Than Just an Audience, a nice little bit of history on the 75th anniversary of the Apollo Theatre.
2.) Putting virgin turds in their place. REVIEW: Jonas Bros Movie
“Jonas Brothers: The 3D Concert Experience” isn’t a movie so much as a devotional object, a kind of secular fetish designed to induce rapture. Submitting to the experience requires initiation into the teenybopper cult of the Jonas brothers trinity — Joe, Kevin and Nick — purveyors of innocuous, repetitive guitar pop and the kind of bland sexuality that provokes a certain type of teenage girl to wait 72 hours in the rain in Times Square for a chance to glimpse the godhead.
More About This MovieDirected with slick banality by Bruce Hendricks, “Jonas Brothers” consists of concert footage from a 2008 Madison Square Garden spectacular supplemented by ridiculous behind-the-scenes tidbits: the brothers pull up to a Virgin Megastore for the midnight release of their new album, fend off a throng of screaming fans, purchase three copies, then pile back into the limo and drive away.
The default camera position places the viewer in a sea of teenage fists clutching glow sticks, cameras or cellphones. Guitar picks are repeatedly — three dimensionally! — chucked at the screen. If you’ve ever wanted to crawl into Kevin’s chest hair, this is as close as you’re likely to get without incurring a restraining order.
3.) In the upcoming concerts section Amanda Petrusich writes Blitzen Trapper are "often — and accurately — compared to Pavement..." Am I fucking crazy? Blitzen Trapper doesn't remind me of Pavement one bit. Pavement is willfully shambolic where BT are finely tuned, filled out and polished—pop mapped out almost overly so. They're both sort of nerdy, but Pavement are slackers where BT seems more like math-class overachievers. Not to mention the BT singer is pretty dang obsessed with acoustic 60's folk, where Pavement comes from, what, 80's punk...? This is crazy... no, no and no. And, most of all, I loves me some Pavement and can't stand Blitzen Trapper.
Your thoughts?
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