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Monday, November 30, 2009

Fucking Awesome

Posted by Andrew R Tonry on Mon, Nov 30, 2009 at 5:01 PM

New Yeasayer video, "Ambling Alp"

There's a tiny bit of nudity in there, so NSFW I guess.

Morrissey - Tonight!

Posted by Ezra Ace Caraeff on Mon, Nov 30, 2009 at 3:40 PM

When I wrote this and mentioned that modern day Morrissey is sliding into oblivion faster than his hairline and will soon (hopefully) take up residency in Las Vegas, I was being complimentary. The hatemail we received on the article indicates that I clearly did not get my point across. To fellow my fellow Mozists, my apologies.

But if you have seen a Morrissey show in the past handful of years—never in Portland, mind you—it's clear that his best days are in the past, as he willfully plays up the silly camp that we've all come to expect from him. Just like you don't pay good money to see Tom Jones and not hear "What's New Pussycat?" while pelting the geriatric crooner with a balled-up pair of mom's lace underwear, you don't witness Morrissey without the hugging, stage invasions, bouquets of flowers, shirt ripping, conversations with Julia, and various other dramatics that we associate with the man. While it might never happen, Vegas is a welcome conclusion to the Morrissey saga, one where he could shack up in some resort (with an all-you-can-eat vegan buffet), do a pair of shows a night, and cash in on his all glorious accomplishments. It's a natural fit.

Then again, what do I know? I'm just a simple man. A simple man who plans on barreling past security tonight and hugging the fuck out of Morrissey.

Explode Into The New York Times

Posted by Andrew R Tonry on Mon, Nov 30, 2009 at 2:54 PM

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I was sitting at the coffee shop Sunday in my usual half-stupor, still working on getting my coffee buzz to an acceptable level. But when I flipped the page of the New York Times Arts section and saw the above image I fucking jumped. Not bad for a band with no albums. Jeesssssus.

The attention came at the behest of the Gossip's Beth Ditto, who's there doing a guest playlist. Ditto also talks about how Lil' Wayne's obsession with giving head is oddly pro girl in the hip hop world and the interviewer gushes about Portland's greatness (yet still lives in New York).

Anyway, Kudos to the Colors girls for getting a hit in what is STILL the coolest media outlet out there. You owe Ms. Ditto something real.

Let's Line Up for Morrissey!!

Posted by Ezra Ace Caraeff on Mon, Nov 30, 2009 at 2:37 PM

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  • Lucas Jones

Well, it's not quite as exciting as the sea of rowdy Juggalos that surrounded the Roseland before the Insane Clown Posse show, but here is a photo of the line already formed for tonight's Morrissey show. Looks kind of, well, sad.

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Criticizing the Critics

Posted by Mark Lore on Mon, Nov 30, 2009 at 1:01 PM

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I just read another interview with Christopher R. Weingarten, the outspoken New York-based music critic who's reviewing 1,000 new albums on Twitter @1000TimesYes. In the interview, which appeared in Toronto's Eye Weekly, Weingarten continued his ongoing rant about milquetoast blogs and the death of real music criticism. And while he sometimes comes off as the whiny and bitter old journalist (as he did at the 140 Characters Conference last June), I can't help but agree with most of what he has to say. I found this excerpt form the Eye Weekly interview especially interesting:

"Music criticism is no longer about who’s shouting the loudest—it’s about who everyone is talking about the most, at the most medium volume. I’ve been doing this for fucking years, and I can’t even type. Pitchfork has the ability to cover almost every fucking thing—and still have tons of holes in their coverage—until their Web site became a database."

I know the whole "Pitchfork bad" argument has been discussed a million times. But, frankly, I think it's depressing that Pitchfork still has the power to make or break a band. And Stereogum? I'd say only about 10 percent of its content is useful or the slightest bit interesting. So. Thoughts on the Big Two? Where do you go to read well-written criticism/features on music?

Harper Simon Makes His Papa Proud

Posted by Kurt T. Prutsman on Mon, Nov 30, 2009 at 12:38 PM

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Perhaps it's due to pressure from Vampire Weekend's recent revival of his legendary dad, but 37-years-young Harper Simon stopped slacking and finally released his debut album. Not surprisingly, Simon has a natural talent for writing hearty folk music and Harper Simon is a solid, impressive album that should turn heads regardless of whose sperm he is. Of course there's only so much Simon can do to escape sky-high expectations and his vocal chord's DNA, but he's clearly finding his own voice as a singer/songwriter. Sometimes Simon escapes his pop's short, prematurely bald shadow into sunny territory more like the rural South, where Elliott Smith is happily drinking a mint julip. Songs like "Wishes and Stars" and "Berkeley Girl" unfortunately just sound like re-planted Parsley, Sage, Rosemary and Thyme while songs like "All to God" and "Ha Ha" sound like cheerful echoes from Mister Misery's tomb. There's also plenty of barn burners like "Tennessee" and "Shooting Star" but the highlight is when he sounds like his own man on "Cactus Flower Rag."

LISTEN:

Harper Simon - "Cactus Flower Rag"

Harper Simon plays at Mississippi Studios (3939 N Mississippi) on Fri Dec 11, 9:30 pm, $12.

On the Road with Floating World: Morrissey!

Posted by Alison Hallett on Mon, Nov 30, 2009 at 11:25 AM

For the Morrissey edition of OTRWFW—a semi-regular series in which employees of Floating World Comics recommend books for musicians playing in town—local comics writer, novelist, and film critic Jamie S. Rich steps up to the plate. Jamie's recent graphic novel You Have Killed Me borrows its title from a Morrissey song—he's also a former editor at Dark Horse and Oni who currently works at Floating World, making him uniquely qualified to recommend comics for everyone's favorite Vegas-idol-in-training. As always, mention this blog post at Floating World (20 NW 5th) the week of the show, receive 10% off recommended titles. Morrissey plays tonight at the Roseland Theater, 8 NW 6th, tonight, 8 pm, $49.50. Here's Jamie:

Recommending any book to Morrissey can be a daunting task. A well-read artiste of particular tastes, he's a reader that will challenge even the most knowledgeable bookstore clerk to toss him a tome he doesn't already know. Luckily, indie comics could be one area where it might still be possible to surprise him, and some recent new comics capture a personal vision that might appeal to the quiffed one.

Weird Fishes by Jamaica Dyer

This debut graphic novel chronicles the coming-of-age of two social misfits, Dee and the Bunny Boy. These creative kids meet when they are young. Both are outcasts shunned because of their creative outlook on life. Dee sees things that may not be there, while the Bunny Boy dresses in a rabbit suit. They grow up together as a platonic couple, but when adolescence lands hits, sex gets in the way of their friendship. Bunny Boy goes mod to try to get the attention of a girl, and Dee goes mad trying to get the attention of Bunny Boy. This story about two oddballs wrestling with their feelings could easily be soundtracked by any number of old Morrissey records, even if it is named after a Radiohead song. Hopefully Moz doesn't know that, just to keep him from rejecting it outright.

Beast by Marian Churchland

Another first-time solo outing, this time from an artist who has previously worked with other writers and contributed art to Conan and Elephantmen. For her first full-length work as a full-blown cartoonist, Marian Churchland spins a yarn about a sculptor who is sucked into her own "Beauty & the Beast" scenario by a faceless, timeless creature who demands she create his stone portrait. The question arises: how does one portray the inscrutable and the unknowable? The girl must feel her way, letting the stone itself and her own instinct lead her to the essence of the art. It may even be love she feels as she spends her every moment dreaming of her bizarre benefactor.

Churchland's sketchy style finds dreaminess in realism, as opposed to Jamaica Dyer's more wiggly line, but both have a classical art foundation that should appeal to a traditionalist like Morrissey. Each spin scenarios about personal passions and the drive to be true to oneself, two themes our subject is more than familiar with himself.

Breakfast After Noon by Andi Watson

An oldie but a goodie from my days editing at Oni Press. Andi's story about two unemployed lovers in England is evocative of the kitchen sink films Morrissey grew up watching. The gray skies, the shattered dreams, the anger and the heartbreak—these are all things that make those old British films so compelling. Watson adds to that a gentleness and sensitivity that further deepens the emotional landscape.

The Helio Sequence, Panther, Ramona Falls - Live at the Crystal Ballroom, 11/28/09

Posted by Ezra Ace Caraeff on Mon, Nov 30, 2009 at 11:13 AM

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It's a great feeling to see a bill of quality local Portland acts that can fill the mighty Crystal Ballroom, just as Helio Sequence, Ramona Falls, and Panther did this past Saturday evening. Our Candice Harbour was there to capture it all on film. Well, technically digital camera memory chip, but the word film just sounds better. Enjoy.

Continue reading »

Friday, November 27, 2009

This Week's Mercury Music Section

Posted by Ezra Ace Caraeff on Fri, Nov 27, 2009 at 10:18 AM

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Another week, another Mercury music section to read while you think about that missed loved connection at the screening of Twilight: New Moon. Some might find this creepy, but I think this guy is a real keeper.

Dear diary: If I don't get on stage and hug Morrissey I swear to God to I will cut myself.
LISTEN:

Morrissey - "Munich Air Disaster 1958"

Vic Chesnutt has two brand new albums and cooler friends than you and I will ever have. These include the members of Godspeed You! Black Emperor, Thee Silver Mt. Zion, and Fugazi's Guy Picciotto that assisted him on At the Cut, plus the enigmatic Jonathan Richman that helped with Skitter on Take-Off. My friends won't even help me move.
LISTEN:

Vic Chesnutt - "Coward"

A former product of Las Vegas, Rex Marshall of Mattress escaped the strip and now keeps the "dystopian torch ballads" burning.
LISTEN:

Mattress - "Light My Life"

Alan Lomax went to Haiti and all he got was this excellent compilation of lost recordings from that troubled country. Oh, and he also got a T-shirt.
LISTEN:

Le Roux Chay-o-pye - "Papa Gede Kenbe-M" (from Alan Lomax in Haiti)

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Wednesday, November 25, 2009

Josh Martinez - "Underground Pop" Video

Posted by Ezra Ace Caraeff on Wed, Nov 25, 2009 at 7:29 AM

I'd say that Josh Martinez is a local treasure, but the raspy-voiced emcee is just as much a product of his other hometown (Vancouver, B.C.) as he is a Portlander. Regardless, last year's The World Famous Sex Buffet was a fantastic record—despite its goofy title—and Martinez has completed videos for eight songs from the album, but avoided one for its standout track, "Underground Pop," until now.

An excellent tribute to Fear and Loathing in Las Vegas—the Ralph Steadman lettering is a nice touch—Martinez is a rapping Raoul Duke, accompanied by his legal counsel, Dr. Gonzo (Canadian emcee Moka Only). Directed by "Stuey Kubrick" (?), the video fits Martinez's casual flow nicely, plus any clip that involves a hiphop dancing Richard Nixon will be endorsed by yours truly.

Tuesday, November 24, 2009

Hardly Art Gives You Good Music for Free

Posted by Ned Lannamann on Tue, Nov 24, 2009 at 2:40 PM

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Seattle-based label Hardly Art is a spinoff of Sub Pop, and they've amassed an impressive track record, including records by Le Loup, Talbot Tagora, and the spendid Dutchess and the Duke, who warmed the Doug Fir basement Sunday night with cozy, red wine-influenced jams. And now Hardly Art has put out a TOTALLY FREE 15-track sampler of some of their artists' best work. A promotional label sampler usually isn't anything to get excited about, but in this case it's that rare label sampler that's both cohesive and good, with just about every track being a standout. There's a few unreleased tracks, too, including a Dutchess and the Duke demo, an acoustic track from the Pica Beats, and this live track from Arthur and Yu from a live show in Seattle, in which their labelmates the Moondoggies (also on the sampler) served as their backing band.

LISTEN:

Arthur & Yu with the Moondoggies - "Magic Mtn" (live at the Triple Door)

Get the 15 free songs from Amazon here, or you can go here and get it too.

Zia McCabe Raises Awareness about the Southern Italian Utopia at Rotture

Posted by Kurt T. Prutsman on Tue, Nov 24, 2009 at 1:25 PM

Even homeboy promoting tonight's event to "Raise Awareness about the Southern Italian Utopia" doesn't know what the hell that means. Nothing comes up on Googles. I'll go out on a limb here and assume someone's summer home in Napoli needs a new a sauna in the nursery. I only kid. Mama mia!

Whatever Bohemian culture's plight the Dandy Warhol's Zia McCabe is raising awareness for, tonight's event at Rotture sure has some bang for it's buck. For a mere $8 (that's only €5.34 Euro) you'll see McCabe perform her solo material for the first time and a whole pizza pie of fantastico bands like Orca Team, 1776, Green Ladies, Hawkeye and many more filing both levels of Rotture and Branx.

Here's the spicy meat-a-ball though: included in your measly admission fee is the opportunity to have your portrait drawn by local artists, your future told by local psychics (you're going to die by Anton Newcombe's hands!), your shoulders rubbed by local masseuses, and you might be on a television in outer space (this will be filmed and broadcast live on Pirate Satellite TV). Bravo! Magnifico!

Califone - "Funeral Singers"

Posted by Raquel Nasser on Tue, Nov 24, 2009 at 7:05 AM

What do you mean, we look completely bored and utterly disillusioned? We just hate posing near coniferous trees.
  • "What do you mean, we look 'completely bored and utterly disillusioned?' We just hate posing near coniferous trees."

Generally, I think Califone is boring. 2006's Roots and Crowns is mostly one long, purposefully strange song and anything that deviates from that mold sounds like a darker, less epic version of U2 (which I guess is also pretty weird). Their new release, All My Friends Are Funeral Singers, is much of the same, punctuated with even more detuned interludes and stark moments of reflection. However! Califone always manages to produce one or two gems per record (see: "Michigan Girls" and "Burned by Christians"), and these songs will forcequit your brain into quiet and joyful meditation. The (almost) title track for their latest falls into this category.

The video for "Funeral Singers" is kind of strange and certainly beautiful, thus feeling like a sunny winter day in Portland. Speaking of which, Califone will be at the Mission Theater on December 5th, in support of All My Friends Are Funeral Singers. Unfortunately, that day happens to be my grandma's 70th birthday, so I will not be able to attend. (Plus, my near 70-year old grandmother might be more youthful and exciting than these dudes. But maybe that's why she'll never make it as an experimental Indie rocker? I wont be breaking that news to her on her birthday.)

Monday, November 23, 2009

Dinner With The Band

Posted by Andrew R Tonry on Mon, Nov 23, 2009 at 2:26 PM

I like it—in theory. But dammit, what's really killing me is I can't yet see the episode with one of my very favorites, Les Savy Fav. But I'm getting ahead of myself.

The concept: bands share stories of weird road food, eat fancy stuff made by a hipster chef, and play songs that have a very good chance of falling flat in a small, bright room. Fuck it, I'm in. And like every time I watch a TV show about food I'll likely end up over-extending my poor cooking skills and coming up with another gastronomic disaster like Carrot Surprise.

So yeah, they play:

And then eat:

How fucking 21st century, Web 2.0, mainstream indie, Ace Hotel, Stumptown, iPhone leg humping is this? Upcoming guests include Yacht, Kid Sister, Men and more. Plus there are some old pilot-type episodes on the site as a an earlier web-series, including Fucked Up and others. Find it all here.

There's also a New York Times feature on the show.

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The Beatles Still Suck 1000 Years From Now

Posted by Wm.™ Steven Humphrey on Mon, Nov 23, 2009 at 2:19 PM

A thousand years in the future, people are STILL going on and on and on about what a supposedly huge influence those overrated hacks The Beatles had on modern music. Unfortunately, people in the future don't always have their facts straight, as you will see from the following hilarious video documenting the career of John, Paul, George... and Scottie Pippen?

Them Crooked Vultures Sell Out

Posted by Mark Lore on Mon, Nov 23, 2009 at 2:17 PM

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I haven't been to any big rock shows in years. Yet over the course of a week, I found myself in the photo pit for both KISS and Them Crooked Vultures. I rarely get star-struck these days, but I'm not going to lie—it was kind of intense seeing Gene and Paul and John Paul up close.

Them Crooked Vultures are a machine. I want to know if Dave Grohl went on some sort of a regimen before embarking on this tour... because that guy went absolutely ape-shit on the drums for two hours. There were no encores, just 120 minutes of chugging stoner blues, which pulled directly from the members' own bands. There were the hooks from Grohl's Foo Fighters, the drop-D riffs of Queens of the Stone Age, and the psychedelic blues (dirty word alert) jams that embodied those Zeppelin performances.

Now this kind of music is difficult to get excited about... it's been done to death. But most of the songs were surprisingly memorable. Josh Homme has one of the great rock voices, his falsetto sounding eerily like Cream's Jack Bruce on "Scumbag Blues." Jones pulled out an arsenal of instruments—bass, mandolin, keytar, some slide bass thingy. And it was nice to see Grohl's mop of hair whipping behind the drums again.

I guess I was taken mostly by how powerful and relentless the whole thing was—made even more intense by the sweaty, sold-out crowd. In the end Dave Grohl stole the show—I would have had a heart-attack by the second song.

Nurses Totally DO NOT Visit Everyday Music

Posted by Ezra Ace Caraeff on Mon, Nov 23, 2009 at 11:06 AM

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Remember when we posted that Nurses would be playing an instore at Everyday Music. WRONG! Everything about that post was a dirty lie—except the prostitutes on Sandy Blvd part—since it turns out that the band is not playing the store on December 11th.

Since the truth is so boring—the band and store approved the show but there were previous commitments and a makeup date will be announced later—let's just say that I made the the whole thing up. I am the James Frey of this blog. Wait, would that mean I am a successful author? I'll take that.

Win Tickets to Japandroids!

Posted by Ezra Ace Caraeff on Mon, Nov 23, 2009 at 9:59 AM

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  • Leigh Righton

Win two tickets to JAPANdroids!!!

Okay, that's just a tad bit misleading. But instead of sending you to the Land of the Rising Sun—you'd hate it there, really—we decided you'd much rather enjoy a pair of tickets to see the ferocious rock duo Japandroids. You can thank us later.

The Vancouver B.C. band will be tearing up Holocene on Monday November 30, and in addition to winning your way into this show, the band's label (Polyvinyl) will send you a LP copy of the band's finest work, Post-Nothing. All this can be yours when you comment below and explain why you want to see this show. The best comment by tomorrow (Tuesday!) at 3pm will be the lucky winner. Good luck.

LISTEN:

Japandroids - "Young Hearts Spark Fire"

Slabtown Rock n' Shop is Coming!

Posted by Ezra Ace Caraeff on Mon, Nov 23, 2009 at 8:27 AM

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This December 12th Slabtown is opening up their doors to a slew of local record labels and various music vendors for their second annual Rock n' Shop. You'll get a chance to stock up on local wares at low low low prices for you holiday shopping—or just for yourself, you selfish selfish monster—plus take in a fantastic lineup of bands as well: Boy Eats Drum Machine, No Go Know, Mean Jeans, Graves, The Ax, Pity Fucks, and Winterhaven.

Vendor roll call: Green Noise, Skywriting, This Heart Will Burn Right Out, Hovercraft, Magic Marker, Tender Loving Empire, In Music We Trust, The Union, Someone Clothing, Taxidermy, Bladen County, XO Publicity, PDX Pop Now, Felony Fidelity, North Pole Records, Gnar Tapes & Shit, Sohitek, Greyday
Cravedog, People In A Postition To Know, KPSU... likely more.

The event is free, starts at 4pm, and 21+. Shop until it hurts.

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Spend New Years Eve with Two Beers Veirs

Posted by Ezra Ace Caraeff on Mon, Nov 23, 2009 at 6:00 AM

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Instead of wasting another New Year's Eve sobbing in the dark while listening to "Auld Lang Syne," spend the evening with Two Beers Veirs at the Laurelthirst. This all-star outfit already had a pretty stellar lineup—Laura Veirs, Annalisa Tornfelt, Chris Funk, Jon Neufeld, Tucker Martine, Nate Query—but for this boozy holiday they are adding onstage contributions from Colin Meloy, Darrin Craig, Maggie Lind, and Lewi Longmire. Since the Laurelthirst stage is tiny, looks like someone is going to have to get on Veirs' shoulders.

This event will sell out, so we recommend you get your advance tickets here.

Friday, November 20, 2009

Them Crooked Vultures Are (a) Super (Group)

Posted by Mark Lore on Fri, Nov 20, 2009 at 2:27 PM

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We've been hearing about Them Crooked Vultures—the rock 'n' roll wet dream project featuring Dave Grohl, Josh Homme and John Paul Jones—for months. Well, it's finally here, and it sounds like what you'd expect—lots of dirty blues riffs and Grohl beating his drum kit like it was a critic who reviewed the last four Foo Fighters records.

It's actually better than I thought it would be... of course, I went into it with zero expectations. So there ya go. The song "Scumbag Blues" is pretty good—I love Homme's falsetto, Jones' basslines are Zeppelin-esque, and Grohl kindly gets his Bonham on.

So what's next? A tour, of course. The Vultures will swoop into the Roseland Theater on Sunday to indulge in the bluesy jams inspired by that one band Jones used to play.

LISTEN:

Them Crooked Vultures - "Scumbag Blues"

Nurses Visit Everyday Music

Posted by Ezra Ace Caraeff on Fri, Nov 20, 2009 at 1:40 PM

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  • Nilina Mason-Campbell

In their first show since canceling their nationwide tour with Le Loup, the Nurses boys will be performing a rare instore at the NE location of Everyday Music.

Located on the picturesque stretch of hooker territory that is NE Sandy Blvd—and mere feet from the Mercury offices (we came here for the hookers)—Everyday will be hosting their second instore as of late, the first being a July show from the Builders and the Butchers. Nurses will be playing the Rock/Pop aisle of the store on Friday, December 11th at 6pm. It is all-ages, free, and there will be tasty snacks provided by our fellow Sandy Blvd neighbor, Voodoo Dougnuts.

The World Is A Vampire

Posted by Kurt T. Prutsman on Fri, Nov 20, 2009 at 12:40 PM

If you're a wannabe Wampire then put on your Vampire Hands and plastic White or Red Fang(s)—better yet, quickly get yourself some Meth Teeth, which will actually help you become nocturnal too—and make sure to head out to see Twilight: New Moon tonight with hoards of screeching, gothed out tweenage girls, or maybe sometime this Vampire Weekend. To help get you even more vamped up, here's a video of a real life "vampire" (I suspect she's not actually undead, just super nerdy).

Well, that was much better than this song:


Colin Meloy - "Dracula's Daughter" (Live)

MarchFourth Marching Band - Live at the Wonder Ballroom, 11/19/09

Posted by Ezra Ace Caraeff on Fri, Nov 20, 2009 at 9:53 AM

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Good lord, last night's MarchFourth Marching Band release show for Rise Up looks like the greatest event ever. Just look at the kid, stopped dead in his tracks, he'll be talking about this show in therapy a decade from now.

Since we have no way of publishing that poor kid's nightmares—yet—we have to rely on these fantastic photos from Candice Harbour. Enjoy.

Continue reading »

End Hits' Musical Tribute to Portland Strip Clubs (Part Five)

Posted by Ezra Ace Caraeff on Fri, Nov 20, 2009 at 8:00 AM

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We kill a lot of time around these parts partaking in the seedy exposed underbelly of Portland's finest strip clubs. That said, there is no better way to express our deep moral depravity than a week-long series of songs dedicated to such businesses. So every day this week we will post a song in tribute to Portland's nudiest of nude revues.

We have reached the glorious end of our strip club series, and speaking of glorious ends... Three Sisters Tavern. Sadly this SW institution of stiff drinks and stiffer male dancers closed its doors a few years back, but its legacy of jiggling beefcakes will always remain with us.

LISTEN:

Jim Carroll - "Three Sisters"

R.I.P. Jim Carroll
R.I.P. Three Sisters Tavern

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