
You probably saw this coming a mile away. Weirdo savants Ariel Pink and "father of home recording" R. Stevie Moore have long been in bed together, and rumors of a collaborative record have traveled for years. This capricious demo of "Dutch Me" , recorded by former Jellyfish frontman Jason Falkner, is the first peek we've gotten at their horrifically-titled record Ku Klux Glam, and it's a promising introduction to what will surely be one of the most zonked records of this generation. I mean, this shit gets a little weird. And kind of stupid. But what else did you expect?
Portland artist/musician Ryland Bouchard attracted a fair amount of attention recently—not from his music, which he often releases under the moniker the Robot Ate Me, or from anything released on his label Swim Slowly Records, but for footage that was plundered (or "found") for use in the attention-grabbing video for LA singer Lana Del Rey's upcoming debut single "Video Games." Along with plenty of other sources, the Del Rey video apparently made liberal use of Bouchard's short film "Good Life #2." Bouchard sent a request to Del Rey's people to cease and desist; they didn't because (as some sources indicate) it would draw too much attention to the fact that the footage was stolen. The video has since been re-edited without Bouchard's footage, and the video's current YouTube page credits where all the remaining footage came from.
A few things: As you can hear above, Del Rey's "Video Games" is stunning. It's a remarkable debut for an unknown artist, and while she looks totally glammed-out to the point of artificiality (is that collagen? I'm just asking), that's never stopped a pop star before. "Video Games" is a dreamy, swooning song with real teeth to it, making the single's release date on October 10 eagerly anticipated. (I haven't found mention of any forthcoming album.) Time—and more songs—will prove if Del Rey has what it takes to stick around, but the other songs on her YouTube page are boring, pot-boiling pop, so it's probably best to enjoy "Video Games" for what it is before making any judgment calls.

On her latest seven-inch, "Water People" b/w "Moving Machine," Liz Harris continues to embrace the comforting aesthetics and sensual tactility she has become known for delivering while offering one crucial new component: clarity. With each new release, the artist known as Grouper has gained transparency, and this is the most direct she has ever sounded. The tracks are still blanketed in reverb, but there is a fullness there which can be largely attributed to a crisply recorded, yet smoky vocal exploration of spectral fantasy and the tenuous recollection of sleep. One might be wary that this increased coherence would interrupt the ruminative experience triggered by her earlier work, but it only enhances that benefit. As the lights dim and an elemental guitar wades through open D tuning, the lyrics begin "The stars are captured as they fall to the sea/ The light the water is receiving," and Grouper is more real than ever.
The disc was recorded at non-profit arts program Ballroom Marfa during Harris' residency there last summer. It sold out immediately, so you'll have to secure a digital copy (though smart shoppers will want to check first with local distributor Mississippi Records).
LISTEN:
Grouper - "Water People"
Grouper - "Moving Machine"
JAPANDROIDS
(Bunk Bar, 1028 SE Water) With merely a guitar, a drum kit, and a ton of passionate energy, Vancouver, BC, duo Japandroids make music on a monumental scale, with waves of rock bliss pouring off their fuzzy, poppy anthems. They'll perform a bunch of brand-new tunes from their next record, due out next year. NED LANNAMANN
R. STEVIE MOORE, TROPICAL OOZE, LAKE, THE NIGHT GAME CULT
(Holocene, 1001 SE Morrison) Read our article on R. Stevie Moore.
KAYLEE COLE, SUN ANGLE, LEMOLO
(Doug Fir, 830 E Burnside) Perhaps you've been lucky enough to catch one of Kaylee Cole's performances scattered throughout the Rose City in the past couple years. Surely it was an intimate experience, the Seattle chanteuse leaving you rapt with her ivory confessionals and thick, tempered vocals that simmer and soar to a boil in no time at all. With the recent help of TV on the Radio's Dave Sitek, though, Cole's new songs are better suited for the dance floor than the buffed marble of a hotel lobby, her lonely waltzes transposed into more dynamic, synth-drenched soundscapes. This show will be her very first with her new band (including past members of Hockey and local jazz cat Ben Darwish), and all will be working to recreate much of the album that Cole and Sitek have been dreaming up out in the Los Angeles canyon lands. You won't be able to own a physical copy until early 2012, so allow this amuse-bouche to prepare you for the exciting sounds to come. RAQUEL NASSER

Despite forming all the way back in 2007, Death Songs, the project founded and fronted by Nicholas Dellfs of The Shaky Hands, only has one real release under its banner. And the self-titled cassette that serves as the Death Songs debut is itself over two years old, meaning it's high time for a new album of Dellfs loosely rambling branch of folk.
Signing to Post-Consumer Records earlier this year, Death Songs has finally finished recording their latest self-titled EP, slated for release October 4th. The new seven song record features a surprisingly celebratory sound for a band about death, with hints of African rhythms, Southern country charm, and Dellfs ruminations accompanied by Portland songwriter/musician Justin Power for a fuller acoustic style than anything Death Songs has known before.
In preparation for the new release, the band is playing a handful of local shows over the next month, starting with an opening slot for Castanets at the Ella Street Social Club this Friday, September 2, and an MFNW show with Ted Leo at Backspace on September 10. Below check out the opening track, "Let This Body Go," from the upcoming record.
LISTEN:
Death Songs - "Let This Body Go"
Last night Stephen Malkmus and his merry band of Jicks visited the studios of Late Night With Jimmy Fallon to play Mirror Traffic's excellent lead single "Senator" (sans the line about the song's protagonist craving a blowjob). Speaking of blowjobs, Jicks drummer Jake Morris crossed paths with the one and only MacGruber backstage and, uh, this happened.
Once the shame wore off, the band tore through another number, the unreleased "Surreal Teenagers" (which is after the jump).
In case you were unaware, Janet Jackson is in town tonight. Miss Jackson (I am indeed nasty, thanks for asking) will be at the Keller Auditorium as part of her "Number Ones, Up Close & Personal" tour.
One person who wanted to get up close & personal with Janet was Maranda from Troutdale, who promised to clean her dad's house (five times!) in exchange for tickets. But that never happened, and dad took to Craigslist to vent his frustration:
MARANDA CLEAN MY F U K I N - HOUSE!! - $350 (Troutdale)So I buy my daughter 350 dollar tickets to see Janet Jackson tonight.
She promises me to clean my house "5"times.
DOES SHE CLEAN IT ONCE??? NO
DOES SHE CLEAN IT TWICE???? NO
WOULD ANYONE LIKE A DAUGHTER????
SPOILED ROTTEN LITTLE BRAT!!!!!!
SORTA PRETTY BUT ATTITUDE TAKES CARE OF THAT REAL QUICK!!!MAYBE JANET WILL COME CLEAN MY HOUSE!!!
Love Dad.
I hate to break it to dad, but looks like Maranda also ripped you off on the tickets. The most expensive seat on the Ticketmaster site was listed at $97.40. Then again, maybe they went to a scalper. Then again, maybe this entire post is fake, since what kind of father refers to his daughter as "sorta pretty"? Ouch.
LIBRARY VOICES, BIRD COSTUMES, GREAT WILDERNESS
(Rotture, 315 SE 3rd) Read our article on Library Voices.
JANET JACKSON
(Keller Auditorium, 222 SW Clay) The queen of the "Rhythm Nation" (AKA Janet Jackson, AKA Ms. Jackson—but only if you're nasty) brings her Number Ones, Up Close and Personal tour to the Keller, which not only means a night packed with her monster hits, but she'll be almost close enough to touch. Join me in squealing, "EEEEEEE!!!" WM. STEVEN HUMPHREY
STILL FLYIN', HELLO MTN
(The Woods, 6637 SE Milwaukie) Still Flyin' are an unabashed party band. And at 15 members, these San Francisco indie-rock all-stars (members drop in from the likes of the Aislers Set, Track Star and Je Suis France) are a party in and of themselves. Fronted by Sean Rawls, this musical army leans heavily on '80s feel-good sounds—think yacht rock, blue-eyed reggae, Huey Lewis—and mash it all into extended pop jams that have been dubbed "hammjamm." And while "party" bands typically err on the side of cheesy (I'm talking Easy Cheese between two slices of Velveeta sprinkled with Cheetos), it's nice to know there's at least one out there that still knows how to party responsibly. MARK LORE
Remember yesterday? That's when we told you all about Blitzen Trapper's latest recording American Goldwing and how you can stream the album online. In case you need another Trapper fix, here is their video for “Love The Way You Walk Away,” where the band lets the cameras go behind-the-scenes and film their decadent rock star lives of heavy drugs, loose women, and firearms.
Okay, only one of those things is true, but you'll have to watch the video to find out which one that is.
For Luck-One the past few years have been pretty hectic. Following some youthful missteps along the way (which you can read about in this 2009 article), Hanif Collins buckled down and over the course of the last two years he established himself as the premier voice in Portland hiphop.
And then he broke our hearts and moved away.
Now a Seattle emcee (Oh my God, he was right!), Luck-One has followed up the momentum from his True Theory LP with a 13-track mixtape entitled King Of The Northwest.
It's a free download, so you really have no excuse. Get downloading.
LISTEN:
Luck-One - "Breakthrough"
SHEARING PINX, ASSS, VICE DEVICE, SICK JAGGERS
(Tube, 18 NW 3rd) Canadians Shearing Pinx are legends in their own right, having released over 50 records since 2005. One of the most unconventional bands of our era, the Pinx have no shame in stripping rock music naked and leaving it exposed and embarrassed. While their earlier efforts were so absonant they were barely listenable, in recent years they have focused their misadventures into no-wave and decimated blues. The guitars are still beaten out of tune, but the band has developed a tactical rein on the madness. The result is a rat's nest of blister-popping noise-punk, the kind of no-bullshit remedy you've earned after a long Monday. CHRIS CANTINO
POCKETKNIFE, CHARTS
(Beauty Bar, 111 SW Ash) Charts give it away for free, and you'd be a fool not to take them up on it. Their Birds and Bees EP, a six-song hit parade of junky pop 'n' roll, is available on their Bandcamp page for the totally achievable cost of nothing. As soon as you download it—which you are doing right now, yes?—you'll discover that its songs are brash and exuberant basement jams, with twinges of Kinksy British Invasion and choruses that you'll memorize upon first listen. Tonight's show with Pocketknife—who just released their own fun EP, Tough as Snails—is also free, which means that you can take in the entire Charts experience without spending a measly cent. NED LANNAMANN

Get those earphones on! The hotly anticipated new albums from two of Portland's best and brightest are now available for listening online. Blitzen Trapper's new American Goldwing is streaming at the Paste magazine site, continuing their impressive string of rootsy space rock. That album comes out September 13 on Sub Pop, but you can check it out online for the next two weeks. Blitzen Trapper headlines the Crystal Ballroom show on Friday, September 9 as part of MusicfestNW.
Meanwhile, Blind Pilot's eagerly awaited sophomore effort We Are the Tide can also be heard over at NPR. While the band has played as a sextet for quite some time, this is the first recording that features them as such (Blind Pilot's 2008 debut Three Rounds and a Sound was largely the duo of Israel Nebeker and Ryan Dobrowski, with guests). We Are the Tide also comes out September 13; listen here. Blind Pilot also plays a Crystal Ballroom show for MusicfestNW, on Saturday, September 10.

DENVER, KYLE MORTON
(Doug Fir Patio, 830 E Burnside) Lube yourself up in sunscreen and catch some rays while enjoying a cozy Pickin' on Sundays patio set from Denver and Kyle Morton. Denver is the rootsy supergroup with members of Blitzen Trapper, Alela Diane's Wild Divine, and more, while Morton is the leader of Typhoon, the massive in size (and sound) pop group that just so happened to appear on Letterman earlier this month. EZRA ACE CARAEFF
NORTHWEST LOVE JAM: GINUWINE, DRU HILL, FAITH EVANS, JON B, ANDREW GARCIA
(Memorial Coliseum, 300 Winning Way) It's like making sweet, sweet love... in the late '90s! Your fave R&B artists from the last century return for the Northwest Love Jam, a sexified evening of hot, buttered soul featuring Ginuwine ("Pony"), Dru Hill ("In My Bed"), Jon B ("They Don't Know"), and Faith Evans ("Love Like This"). Don't forget your diaphragm! WM. STEVEN HUMPHREY
DOUBLEPLUSGOOD, XDS, WILD ONES
(Doug Fir, 830 E Burnside) DoublePlusGood, the duo of Andy Nelson and Erik Carlson, have released a series of lovely EPs in the past couple years, and now they've got a full-length called Here They Come, the Birds of My Youth. It's a terrific album, a sweet and infectious synth-pop record that isn't afraid to sound ecstatic. With trilling, buzzing synths forming day-glo walls around Carlson's anchored drums, DoublePlusGood has quite simply found an untouched corner of the pop pasture and harvested it for all it's worth—quick-clip dance beats, wistfully familiar synth patches, layered Beach Boy harmonies, and a tweeful, gleeful energy that's impossible to manufacture. The album, out on Carlson's SoHiTek label, is destined to pack dance floors across Portland, but it sounds just as good on headphones. NED LANNAMANN
DEAD PREZ, THE LEAGUE OF EXTRAORDINARY GZ, TOPE
(Mississippi Studios, 3939 N Mississippi) Of course it's still bigger than hiphop. Even if those who coined this now omnipresent call-to-arms haven't actually made a whole lotta, you know, hiphop in recent years. Dead Prez forever altered the political hiphop landscape with Let's Get Free, but that was 11 years ago (your president at the time: Bill Clinton) and their sporadic output since (2004's disappointing Revolutionary But Gangsta, and a handful of hit-or-miss mixtapes and solo releases) hasn't exactly set the world aflame for stic.man and M1. That's not to say that the sharply penned militant anthems of Dead Prez still can't raise a crowd of balled fists to the heavens—they surely can—but it might be nice to hear some fresh marching orders from these two distinguished emcees. EZRA ACE CARAEFF
A few weeks back the members of Portland grind band Transient were involved in a horrific head on collision while on tour. A van should never look like this.
Miraculously Transient survived, but they were left with some lingering hospital bills. Thankfully the band's pals are throwing a little benefit show this Saturday, August 27, at Plan B wit Elitist, Basement Animal, Spectral Tombs, and Heavy Voodoo. In addition to the music, there will be a raffles with goodies from Stankhouse Records, Relapse, local art, gift certificates, and plenty more.
But we're talking hospital bills here, so there is another benefit in the works for Friday, September 16 at the Kenton Club. That lineup will feature Muscle Beach, Stag Bitten, Valkyrie Rodeo, Tyrants, and Fall the Giants. In addition to that, a third all-age benefit is in the works as well.
While Transient is still licking their wounds, they are a grind band (not a wussy emo band) which means they are not canceling their MusicFest NW appearance on Friday September 9 at Hawthorne Theatre alongside Pig Destroyer. Damn, that's tough.