The reason for Timbuktunes shutting down is an economic one. I don't know if you heard this, but record sales are apparently down (I had no idea!), and running a specialty shop such as Timbuktunes became increasingly difficult. For the months of November and December, the store will be having a liquidation sale of its remaining merchandise. Right now, stock is 15% off and the prices will continue to go down after Thanksgiving, so it'll be a good spot to buy that Christmas gift for your dearest fan of international folk music. Timbuktunes is located at 4726 SE Hawthorne.
"Slow Walkers, meditations for the zombie as cultural phenomena, waking in 2012..."
This is the lone description of a surprisingly (perhaps fortuitously) Halloween-appropriate multimedia collaboration between Grouper (Liz Harris) and Australian media artist and composer Lawrence English. Harris and English have much in common. They are both prolific producers of gorgeous ambient pop music (check out English's label: Room40). They both create visual art through cross-medium experiments with video, sound, and illustration. And I guess they're both interested in zombies. Slow Walkers will eventually yield an album, video installations and a live audio-visual concert.
"Wake" is the first glimpse we have of this project. The completely instrumental composition (i.e., no vocals) quivers glacially inside a dark, static chord. Although its movements are slow, the noise builds to a loud crowning point towards the end of the piece right before the sound dissolves and fades away. They achieve an eerie, almost sinister, effect in pairing this music with the lo-fi zombie video.
For those who would rather watch a couple of people twist knobs, here's a video of English and Harris performing "Wake" live in London:
FIN DE CINEMA PRESENTS ALICE: WAMPIRE, LITANIC MASK, BRUXA, SICK JAGGERS
(Holocene, 1001 SE Morrison) Ghosts? Witches? Monsters? Pshaw. The creepiest thing around town this Halloween is Jan Svankmajer's Alice, a Czech stop-motion version of Alice in Wonderland that's so unsettlingly eerie, it'll give you nightmares. Fin de Cinema screens the 1988 film with a live score from Wampire, Litanic Mask, and Bruxa, then you can shake off those terrors with a dance party from the Sick Jaggers DJs. NED LANNAMANN
RICHARD THOMPSON, THE WEBB SISTERS
(Aladdin Theater, 3017 SE Milwaukie) I can't think of many artists less Halloweeny than English-born songwriter/guitarist Richard Thompson—to my knowledge he has written zero songs about candy—but the man has been known to do a Britney Spears cover or two. Thompson probably won't be doing too many covers (the musical equivalent of putting on a costume) during his two-night stint at the Aladdin; rather, on this solo acoustic tour, he's revisiting his own back catalog, doing a mini-set of three or four songs from a randomly selected album from his immense discography. Considering how many records the man has put out since leaving Fairport Convention in 1971, that's a lot of ground, and the chances are good for him to play something quite rare—and considering how consistent a songwriter he is, the chances are equally good that it'll be something great. Plus, there will be costumes: Look for an alarming number of middle-aged male disciples wearing Thompson's trademark beret. NL
MONARQUES, GRINGO STAR, BEISBOL
(Bunk Bar, 1028 SE Water) Sure they have a silly band name, but Atlanta's Gringo Star crank out some serious pop songs. These guys should even be taken seriously. "Shadow" from their just-released sophomore LP Count Yer Lucky Stars is a tropical doo-wop number polished to a beautiful sheen by producer Ben Allen, responsible for the big sounds found on the equally goofily named Gnarls Barkley's St. Elsewhere and Animal Collective's Merriweather Post Pavilion. Essentially, it's taken Gringo Star's '60s-inspired pop to new frontiers. While the songs have always been there, Gringo Star's gravestone following an early death could have easily read something like: "Silly Name; Loved the Kinks." Count Yer Lucky Stars has given them a second life. I think these gringos might be around for a while. MARK LORE
Mere days after a new Chromatics tune turns up, we get a new one from Glass Candy as well. The other project of the prolific Johnny Jewel—the man must never sleep, since actually he has several other projects beyond Glass Candy and Chromatics—is due to release a new album called ///BODY WORK///, and this teaser song couldn't be better timed. Aside from celebrating both the terror and the sweet, sweet candy of today's holiday, it's a tribute to the score to John Carpenter's Halloween, which Carpenter wrote himself. Director Alberto Rossini's video above conveys genuine creepiness with a remarkable sense of style.
You can download the track, as well as an instrumental version, here.

Here's the way to kick off your week: The chance to win a pair of tickets to see the mighty Mastodon. The Atlanta band, whenever its members are not casually leaning against trees, puts on a fierce, heavy show, which they'll be doing this Saturday, November 5, at the Roseland. To make it even sweeter, Dillinger Escape Plan and Red Fang are also on the bill.
All you need to do in order to win is send me an email with "Mastodon" in the subject line, and include your first and last name in the email. And in order to make it a little challenging, you must correctly answer this question:
The extinct mastodon most closely resembles which currently living animal?Include the answer in your email. Good luck! This contest closes Wednesday at 9 am.A. Duck-billed platypus
B. Elephant
C. Great white shark
D. Fuzzy bunny
OCTOSSIPPI: NICK JAINA, RYAN SOLLEE, RITCHIE YOUNG, ADAM SHEARER, MATT SHEEHY, LEWI LONGMIRE, DAVE DEPPER, KYLE MORTON AND MINI TYPHOON & MORE(Mississippi Studios, 3939 N Mississippi) Mississippi Studios has been around for eight years, meaning it's due time to celebrate. Their anniversary event will highlight more than 10 local bands, including Nick Jaina, Matt Sheehy, and a mini version of Typhoon. Also, free burgers until midnight! ALEX ZIELINSKI
HUME, GRANDPARENTS, DUCK LITTLE BROTHER DUCK(Valentine's, 232 SW Ankeny) I thought I knew my Grandparents. I mean, I love them no matter what, but I was naturally surprised when they totally flipped on me and changed up their sound. You would expect some level of consistency from your Grandparents, right? Well, it took some getting used to, but it turns out my new Grandparents are actually way cooler than the old ones. Even though I miss those nug-sparking Floydian jams, I'm totally down to trade them out for this goo-gazey coupling of Kevin Shields' tape-wrapped whammy with taut, garage-kraut workouts. Grandparents' new EP Sugar Beach documents a band unchained, yet in total control, playing really fucking loud. In fact, it pretty much legitimizes Grandparents as THE number one band to keep an eye on in this town right now. CHRIS CANTINO
WILD ONES, YOUTH, OCEAN AGE(The Woods, 6637 SE Milwaukie) While it's not formally All Hallow's Eve just yet, this show is within the sprawling realm of Halloween—which apparently spans the entirety of October on SE Hawthorne—and there are few better ways to enliven our dying spirits than by bopping about aimlessly to Wild Ones in an old funeral parlor (and preferably in a toilet-paper mummy costume). If you have yet to catch wind of this band—they've only been playing shows around town since February—you must not deprive yourself any longer. Their first recorded effort, the You're a Winner EP, is a tidy collection of synthpop beatitudes, and the latest track emancipated from the band's vaults, "Need It All," is a fantastic, slightly more mercurial sign of what's to come from their impending debut. Plus, it's their last show in Portland before they strike out on the BFF tour with, well, BFFs Typhoon and Youth, so come and wish the bands well on their way. RAQUEL NASSER
IN THE CREMATORIUM II: DJ COOKY PARKER, THE ANGRY ORTS, THIS CHARMING MAN(The Woods, 6637 SE Milwaukie) There's no better place to spend Halloween weekend than a former funeral parlor, so thank the spirits that the Woods is hosting their second In the Crematorium dance and costume party, a spooky good time with DJ Cooky Parker spinning '80s hits, plus live Smiths covers by This Charming Man. Wear your best for the costume contest, and be ready for the giant pumpkin piñata! NED LANNAMANN [NOTE: The video above has little to do with the dance party tonight, I just wanted to post it.]
JEFF BECK(Arlene Schnitzer Concert Hall, 1037 SW Broadway) Rolling Stone ranked Jeff Beck at number 14 in its "100 Greatest Guitarists of All Time" list. So, see you at the show. You want more? Okay, Beck, now 67, catalyzed the Yardbirds' explosive and cosmic garage-psych attack in the '60s with artful distortion, fuzz, and feedback, and then went on to lead some fantastic bands throughout the '70s and add mercenary six-string firepower for Stevie Wonder, Kate Bush, Roger Waters, and other millionaires. Beck is a mercurial embellisher of blues, rock, funk, and heavy-metal tropes, but his peak came with "Beck's Bolero," the 1967 B-side to "Hi Ho Silver Lining." There, he reconfigured Ravel's classical standard into a grandiloquent rave-up, an obelisk of the most sublimely coruscating guitar tones. It's one of the greatest recordings ever. DAVE SEGAL
MANCHESTER ORCHESTRA, WHITE DENIM, THE DEAR HUNTER, LITTLE HURRICANE(Wonder Ballroom, 128 NE Russell) The past five months have been good to Atlanta "alternative" (read: just a little emo) rock band Manchester Orchestra, given the rather rampant success of their third full-length, Simple Math. Curiously enough, Simple Math is a concept album rooted in autobiography, with lead singer Andy Hull paring down his life story from a bramble maze of 100 tracks to a mere 10. If nothing else, Hull's songwriting has reached its evocative peak, and the band as a whole is fully capable of lifting those impassioned songs right off the page. Joining Manchester Orchestra on this rather massive tour is Austin's White Denim, whose recent EP, Takes Place in Your Work Space, is brimming with catchy, circuitous guitar riffs and the kind of Texas charm you can only find in the state's heathen city. RAQUEL NASSER

You love Youtube, but having to wade through a river of shit and advertisements to get to the best vids doesn't always appeal to you. Do you ever wish that someone would just cut the fat? Well, it looks like you're not the only one. In this age of internet overload, curatorial video sites are poised to become a pretty huge thing, and there's a whole drove of them coming together at the moment. There are especially a lot focusing on music and art, but none are as consistent, well-defined, or straight up weird as Network Awesome. The network isn't constrained by any traditional rules, and its focus on broadcasting recycled TV culture and experimental films/animations in a linear format is fascinating, to say the least.
Yesterday's episode was particularly "awesome," kicking off with curator Mark Brown's 120 Megabytes, a spin on the MTV classic 120 Minutes. The segment features "visionary interactions between sound and vision" that pay tribute to the resurgent retro aesthetics of memes such as Portable Grindhouse and Computers Club. After Brown's selections came an appropriately spooky treat with the experimental (and NSFW) George Kuchar film Pagan Rhapsody, a collection of videos spotlighting magnetic tape manipulation, and a documentary on the BBC's Radiophonic Workshop. Pretty awesome, I'd say.
After the jump, you can view a smattering of my favorite videos from yesterday's broadcast.

Whoa, have you guys seen this yet? It seems Annie Clark—that's St. Vincent to you, pal—stopped by Greenpoint's Shangri-La Studio and taped a phenomenal four-song session with her label, 4AD. The videos from the bout have been parading around the internet all morning, but it's far too good to not post here, just in case End Hits is the ONLY BLOG YOU READ. (Okay, fine, that's a ridiculous assumption; just in case End Hits and BroBible.com are the only blogs you read.)
Below is the video for "Surgeon," off St. Vincent's recently-released and very fantastic third album, Strange Mercy (which I unabashedly spouted off about a couple weeks ago). It's a dramatic clip—especially with Clark's heavily-painted and contorting face projected behind her at 100x the size— but it fits the song (and truly, the whole mood of the album) quite well. WATCH IT NOW.
To watch the rest of this session, and for more from 4AD, head here.
PBR PRESENTS THE 1980s
(Mississippi Studios, 3939 N Mississippi) Travel with us back in time to the awesomest, most tubular decade ever when PBR Presents the 1980s! Some of Portland's funnest bands—including Casey Neill, the Eastsiders, the My Oh Mys, Jim Brunberg, and many more—cover your '80s faves in this FREE show! (And if there's no Kajagoogoo? I'll jump onstage and do it myself!!) WM. STEVEN HUMPHREY
MR. GNOME, BOATS, PAPER UPPER CUTS
(Doug Fir, 830 E Burnside) Read our article on Mr. Gnome.
KING TUFF, THE SUICIDE NOTES, GUANTANAMO BAYWATCH, STILL CAVES
(East End, 203 SE Grand) Most dudes are lucky to be in one great band; Kyle Thomas of Brattleboro, Vermont, has been in at least four. You've heard of Witch—that's the metal band J Mascis plays drums for—and you might have heard of Happy Birthday, who released an overlooked record on Sub Pop last year. You also might have heard of Feathers, the freak-folk collective that released a far-out debut on Devendra Banhart's label in 2006 and then floated into the ether. But the name you need to concern yourself with right now is Tuff—King Tuff, that is, Thomas' alter-ego of scuzzily sweet garage and flower-power psych. There's a fucking phenomenal full-length released by Tee Pee in 2008 called King Tuff Was Dead, and a recent split 7-inch with the Hex Dispensers, plus a bunch of tracks littered over the internet. They all have one thing in common: the potential to be your next favorite song. With groovy jangle, indestructible power-pop structure, fuzz-mop guitars, and Thomas' dopey, grinning voice, King Tuff's shag rock is almost too easy to love. NED LANNAMANN

The prolific, mercurial Portland band Soft Tags are celebrating the release of their new disc, the six-song Halloween, 1983—it sorta falls in between and EP and and LP—with a show at Ella Street Social Club on Halloween night, Monday, October 31. Also on the bill are the Prids, And And And, and Obvpc. The only thing? Soft Tags won't be performing at the show.
In an email from Tags frontman Richard Shirk, he explains that he moved to San Francisco a short time ago for a variety of reasons, some of them musical and many of them financial, and is now working for the San Francisco Symphony. Halloween, 1983 is going to be the final single from the ever-evolving Soft Tags project (an album is in the works, too; more on that in a second), and they'll be giving the release away at the Halloween show—along with all the band's remaining merch. Shirk says it's a bittersweet moment, but that it was time to move on: "We started as a cult band and never wanted anything more than that."
As mentioned, Soft Tags is still existing as a recording project (presumably long distance), as they are midway through recording what will be their last album, East Orange, due to come out sometime next year. Shirk also has a new group called Richard Shirk and the Blinking Lights. Here's the title song from the single, "Halloween, 1983," which you can download for free over on Bandcamp, where you can also get a glimpse of the wealth of material Soft Tags have recorded since the band's start in 2007. (According to Shirk, there are four full-lengths, four EPs, a tour record, three live tapes, a B-sides/demos compilation, and four hours of unreleased material.) It's kind of a perfect way to say goodbye to the band—an ostensible "single" that runs over 10 minutes long, a perfect encapsulation of the unflinching, somewhat perverse nature of a band who swallowed much of pop music's history of accessibility, but had a fiercely uncompromising DIY aesthetic. Shirk says it is probably his favorite Soft Tags song.
LISTEN:

I present to you, two painstakingly uncomplicated videos for a now defunct R.E.M's aptly-named final single, "We All Go Back to Where We Belong." Both were directed by Michael Stipe and Dominic DeJoseph. One makes more sense to me than the other.
WHAT THE FUCK ARE YOU LAUGHING AT, KIRSTEN DUNST? This is not funny. This is R.E.M.'s absolute last single... FOR FOREVER. You should be grimacing, anguishing, or at least showing some vague signs of grief and confusion as Michael Stipe asks, "Is this really what you want?" No, it's not, and you know that, unless you're one of those sick humanoids who hails Bono for his charisma and could never quite understand Stipe's solemn, vacant stare. This is not Fifteen and Pregnant, made-for-TV-movie stuff, Dunst. This is life and LIFE IS NOT A JOKE.
Phew. More appropriate is this version, starring poet/actor John Giorno (who, contrary to my preliminary typo, is in no way entitled to any fraction of the DiGiornos' frozen pizza empire). This sad, old bag of skin is the human personification of my sagging heart as I listen to the band's last lament. Look at his chest slightly heaving! Watch his eye twinge at a particularly evocative note in Stipe's vocal range! Look at him sit there, completely still, in quiet reverence! Genius. Just genius.
(via Slate)

Tomorrow night will feature everything from synthpop gloss to hardcore punk, wiry funk sitting alongside metal, and tons of MTV hits. There's a veritable parade of all-stars and one-off bands, including Sean Croghan and a crew of old-school Portland mainstays performing as the Eastsiders: They've got the year 1989, which could mean some Pixies, some Fugazi, and even early Nirvana. Plus Nathan Junior (M. Ward, Fruit Bats) and Ryan Stowe (Swords Project) are performing as Future Proof, who killed totally it on '70s night with a righteous Skynyrd cover. Little Sue and Lara Mitchell are performing as Henpeck, plus Ezra Holbrooks' the My Oh Mys, and Jim Brunberg's band, and a hot ton more. Also—it is totally, 100% FREE.
Mississippi Studios, 3939 N Mississippi, tomorrow night, 9 pm, FREE
• Speaking of gear, Cleveland's Mr. Gnome are swimming in it, using only two people to make a dense, swirling rock noise with goth and surrealistic tinges. Their excellent new record, Madness in Miniature, isn't a concept album, but they coulda fooled me.
LISTEN:
Ate the Sun by mrgnome
• Minneapolis' Peter Wolf Crier started off soundtracking a performance piece, but now they've become a real live boy. I mean, band. A real live band... Hey, does anyone else think Geppetto was a little creepy, a lonely old bachelor wanting to build a child out of wood?
LISTEN:
Also, more Up and Comings than you can shake a stick at. But we don't blame you for trying, stick-shaker.