Verbatim, from the mind of Portland newcomer and unconventional sound artist Jason Urick regarding his beguiling new record I Love You for Thrill Jockey:
"This record was recorded and pieced together during a very transitional period of my life. A lot was in flux in regards to location on the planet and people and relationships within said planet. My feeling regarding these changes had a tendency to fluctuate between very excited and confident with uncertainty and alternatingly unsure and nervous, sometimes fluctuating between the two rapidly from second-to-second. I became very hyper aware of the relationships of opposite emotions and started to notice these types of relationships more and more around me. Around this time I was recommended by a friend to watch the movie I Love You by Marco Ferreri. In this movie Christopher Lambert plays a character that falls in love with a talking keychain. More specifically a keychain that only said the words 'I Love You' when whistled at. Around that time I was starting to mold the material that would make up this album into more cohesive pieces. I began to use the phrase 'I Love You' as a mantra of sorts while working on this material. Running the phrase over and over in my head until the words started to break down and render the phrase foreign again. In these meditations I became more at peace with the music making process and more unsure/unfamiliar with it at the same time. This feeling spilled over into my understanding of myself going from feeling very in tune in body and mind to completely adrift in a large universe, again in very rapid succession until all that remained was a vibration. It feels silly and potentially useless to describe such personal and brief experiences in words, however it is my hope that within the record I am able to communicate these ideas/feeling to sound where it might make more sense." -Jason Urick
Thank you, Jason, for sharing. And welcome to Portland.
Below, stream Urick's new video for "Ageless Isms," directed by Portland's own brilliant art freak Ashby Lee Collinson. Collinson's treatment of Urick's noise and manufactured electronic environments succeeds by building upon the music's rapid development and conclusion of motifs in a disorienting, yet sincere and thought-provoking style. It takes a rather delicate touch to balance the organic and synthetic poles of I Love You, a contrast that would surely have splintered in less capable hands. So, if you'd like to get to know Collinson (the mastermind behind Experimental Half Hour's Princess Dies) a little better, you can start by checking out her fund-worthy video project over at Kickstarter. And don't forget to attend an intimate evening with Urick this Sunday, January 22, as he headlines a night of fringe local talent at Valentine's.
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