
It's been just over a year since Amanda Brown, co-owner of preeminent outre-psych label Not Not Fun, first launched off to release dance records under the imprint 100% Silk. At that time, NNF was relentlessly saturating the underground market with acclaimed mutations of psych, drone, and trance, but Brown wasn't content to simply ride that wave. She was already busy predating the current vogue in rave and house music, as exemplified first by her collaboration with Matrix Metals' Sam Meringue under the ego LA Vampires, and soon after with the announcement that Silk was to begin curating the releases of like-minded artists. Now, just over a year later, Amanda and 100% Silk are already lining up their 26th release, and the label is one of the fastest-rising on the planet.
For a better idea of what Silk is getting at, peep this bitty from their mission statement: “Making 45 RPM 12 inch singles of diamond-life dance & bliss-disco & basement luxury grooves by friends and lovers from all over the world.” Think of Silk as an auteur of mulched, bedroom casino music, crowned with an aesthetic penchant for over-processed pads and a refreshing absence of exclusivity. Seriously though, don't just take my word for it. Instead, chew on these gum-snapping new drops from Silk (including one from "Prince of Portland" Paul Dickow, AKA Strategy) and make up your own mind.
Strategy - Boxy Music
"Prince of Portland Paul Dickow turns his no-nonsense Nudge-sludge awesomeness into revved-up, avant tech-house arousal as Strategy. The moniker has found Dickow checking out hooks in his Community Library and niche-in’-out nooks on Kranky. With SILK he separates: “Skanking Stabs” stomps with reverb canned-can drums, bouncing in a dancehall vault. “Feel The Earth” is not your daddy’s acid jazz, with its bouncing house arresting piano bar tipped jar. “Starry Day” soft serves up a swirl of 80’s vamp funk, contempo computer chocolate chips, and haywire Cyberdyne scheming sequences. The dueling “Bolly Valve” tracks mix Arabic woodwind skill scales with whisper sizzle clatter data. Limited edition, with hot pink pop art Neu-bout-town jackets designed by the artist. Strategic move for winning your love."
Polysick - Flow FM
"Tune in Tokyo, Rio, Rome, to Flow FM, Polysick’s choppy, blip-bloppy, reality-byting radio station. Channel glide between robotic-chaotic dub, ecstatic acid static, sunny synth sampladelica, Jack-the-Risker groove stabs, Rowdy Rick Dees-sleaze, organ-doning vogue-zoning, crunk color wheelies, sweet jellies and sick jams. And now a word from our SILK Sponsors: Flow FM has the sleekest sounds on the blare-waves."

The Soul'd Out Music Festival operates a little differently from other fests, with shows spread out over the course of two weeks, allowing avid festival-goers the chance to catch nearly every show—as opposed to other fests which book shows simultaneously, forcing you to pick between competing shows. Check out the full schedule after the jump. Also, definitely click the jump to see the classic breakin' video for "Back in Stride" by Maze, who'll be performing with original singer Frankie Beverly. (Watch it! It's the best video of all time. Maze did that conveyor belt long before Jamijijwah! Or whatever they were called.)
ELLIOTT BROOD, THE PACK A.D.
(Doug Fir, 830 E Burnside) If you caught Toronto's Elliott Brood at Pickathon, you already know they're a terrific folk-roots band with a damn fine live show. And with Vancouver, BC's garage chuggers the Pack A.D. opening, this night's gonna fall on the good side of rowdy. NED LANNAMANN
ALELA DIANE, RYAN FRANCESCONI
(Oaks Pioneer Church, 455 SE Spokane) Quickly following last year's band effort, Alela Diane & Wild Divine, local songwriter Alela Diane already has a batch of new material on the way. Early reports from Diane indicate that it'll be very much a solo record, perhaps the most intimate work she's done since her debut, The Pirate's Gospel. Such cozy material cries out for a cozy room to play it in, and Diane has found exactly that, playing a two-night stand at the tiny, historic Oaks Pioneer Church in Sellwood. With scarcely 50 tickets available a night, both shows promptly sold out. NL
ADVENTURES! WITH MIGHT, POCKETKNIFE, GRANDPARENTS, DOUBLEPLUSGOOD
(Holocene, 1001 SE Morrison) Here's the deal with Pocketknife and Adventures! With Might's fantastic split 7-inch: Each band contributed one new song and covered their favorite song by the other band. Though both bands have a strong affection for keyboards, Pocketknife's romantic hooks presuppose a certain gravity to your dance party. Adventures! With Might, on the other hand, make synthpop so libidinous that you can't hear it without blushing. While both band's original contributions are great, the covers are what make this record so compelling. Pocketknife turns A!WM's supersexy dance jam "You Think Too Much" into a contemplative, bass-driven song with a strong New Order vibe. In its original state Pocketknife's "Should I Kiss the Viper's Fang" was moody and intense; A!WM transforms it into a sweaty club song to which countless teenagers can lose their virginities. REBECCA WILSON
Sad news: Davy Jones of the Monkees has passed away at age 66. He died of a heart attack this morning in Florida. Davy Jones was the sole British member of the Monkees, the band that was formed to star in a '60s NBC TV series and ended up putting out several huge hit records, including "Daydream Believer," which Jones sang. In fact, another young British singer named David Jones was motivated to change his last name to Bowie so that he wouldn't be confused with the famous Monkee.
As someone who was raised in the era of Monkees reruns on MTV and Nickelodeon, and as someone who subsequently became a big fan of the band's music, this comes very sad news. The Monkees toured last year, and I got to see them live for the first time; the show was, sadly, a big disappointment to me, feeling more like a Vegas revue than a concert. However, for a band that was labeled the "Pre-Fab Four," perhaps the slickness and hamminess was appropriate. Still, the end of that reunion tour was canceled prematurely, with acrimony among the remaining members of the Monkees.
Jones was more of an actor than a musician, although he did end up writing some material for the band. Perhaps his best song is "You and I," a song he co-wrote with Bill Chadwick and which appeared on the Monkees' 1969 album Instant Replay. (Check it out here; Neil Young played guitar on it.) However, Jones will likely be best remembered for "Daydream Believer," a song written by John Stewart which hit number 1 in 1967.
Rest in peace, Davy.
ALELA DIANE, EVAN WAY
(Oaks Pioneer Church, 455 SE Spokane) Quickly following last year's band effort, Alela Diane & Wild Divine, local songwriter Alela Diane already has a batch of new material on the way. Early reports from Diane indicate that it'll be very much a solo record, perhaps the most intimate work she's done since her debut, The Pirate's Gospel. Such cozy material cries out for a cozy room to play it in, and Diane has found exactly that, playing a two-night stand at the tiny, historic Oaks Pioneer Church in Sellwood. With scarcely 50 tickets available a night, both shows promptly sold out. Tonight's show also includes Evan Way, whose band the Parson Red Heads just entered the studio to record the follow-up to last year's lovely Yearling. In the meantime, six Parsons tracks from the Yearling sessions will be released on a new EP, Murmurations, next month. NED LANNAMANN
There's another fine tune available over on What Hearts' site, and they're scheduled to play a new SE venue called the Funhouse Lounge (2432 SE 11th) on Thursday, March 22. Meanwhile, the album release show will take place at Mississippi Studios (3939 N Mississippi) on Sunday, May 20.
Oleson has been responsible for the cozy venue's immaculate, inventive booking for six years, ranging from electronic to folk to experimental to interdisciplinary multimedia nights and more. The range of music that's bounced within those walls is positively mind boggling. Oleson explains what she's got in the works after leaving Valentine's:
I've actually recently started a music agency, Aika Music with Charlie Campbell (who perhaps you might know from Pond, Sub Pop band of yore). He's been scoring for all kinds of films, TV spots, web content, etc. for years now and we teamed up this last fall to expand into a sound house with a wide range of musicians and composers who ad firms, design studios, and film makers can access to get really great, original music tailored for whatever content it is they're producing. Charlie is our head composer, but a lot of what I'll be doing is what I've always done, curating and matching great musicians and composers with projects I think they'd excel at and championing people's work who have abundant talent that isn't being heard on a larger scale...yet. It's something I truly love to do, and I'm really excited to see how it grows.Best of luck to Jen with all her future endeavors, and here's looking forward to many great shows in the future from Bernstein, Bowers, and Holmes. Meanwhile—AgesandAges tonight; Tom Bevitori and Alina Hardin open. The calendar for Oleson's final week at Valentine's is after the jump.I'm passing my torch to not one, but three awesome, innovative women: Emily Bernstein, Shelley Bowers, and Megan Holmes. I really can't wait to see what they bring to the fold. I know they're going to keep the flame bright.
SUSAN AND THE SURFTONES, WAVESAUCE, SURF WEASELS
(Duff's Garage, 1635 SE 7th) Susan SurfTone's backstory is easily as interesting as her richly paced surf-rock revivalism. Weaned on the fertile beachside pop of the Ventures, SurfTone abandoned careers in law and with the FBI to focus on her love of cresting melodies and fluid surf-core jams. With an impressive number of albums and worldwide tours on her rÉsumÉ, SurfTone is playing live again for the first time in a very long time, on the weight of her excellent 2011 album Shore, a collection of bouncy, instrumental surf tunes that are notable for their wholly unironic qualities as much as their sturdiness. SurfTone's album release will enjoy the benefits of an incarnation of her band the Surftones, with warm organs and tight drumming softening the hard edge of SurfTone's lead guitar. RYAN J. PRADO

LISTEN:
Sons of Huns - "Super Kanpai Rainbow" [DOWNLOAD TRACK HERE]
Check out Banana Stand for another preview track, "Scourge of God." The album becomes available tomorrow on a pay-what-you-want basis, and Banana Stand have many other upcoming live releases on the way in the coming weeks (by the likes of Youth, Tango Alpha Tango, No Kind of Rider, Destroy Nate Allen, Forest Park, The Angry Orts, Log Across The Washer, DoublePlusGood, and more).
Meanwhile, Sons of Huns are also prepping their first video: "Leaving Your Body," directed by Matt Ross of Neighborhood Films—who, coincidentally, just premiered Typhoon's concert film, Live at Mississippi Studios, last night at the Clinton Street Theater. The video doesn't come out until the end of March, but here's a sneak peak for you. It stars fire and riffs and Peter Hughes' mustache, and it looks wicked and cool as fuck. "Leaving Your Body" is one side of an upcoming 7-inch.
One more thing: Sons of Huns headline the Doug Fir (830 E Burnside) this Thursday, March 1; it's five bucks and you should go. They're also playing Tube on Monday, March 5.

So I've been kicking around that new Sweating Tapes compilation of Portland synth music, and I'm pretty floored by just how the influence of those acts (Arohan, ASSS, Litanic Mask, etc.) has began to infiltrate our local scene in a powerful and growing way. There isn't a bad artist on the comp, but the one I keep finding myself coming back to has been Light House. Featuring former members of the Rapture, Atriarch, and Hot Victory, and fronted by acclaimed designer Dawn Sharp, Light House specialize in romantic, minimal dark wave reminiscent of Dead Can Dance's stately invocations, with a latent undertow of dirge-y atmospherics and drum machine.
Stream "2012" and "Wishbone" from their upcoming 7-inch below, and see Light House live in concert after they return from tour on March 9th at East End with Grave Babies.
LISTEN:
Light House - "2012"
Light House - "Wishbone"
YOU WHO!: THE SHINS, SNEAKIN' OUT, DJ ANJALI
(Kennedy School, 5736 NE 33rd) Why should the 21+ set get all the good shows? What about the very, very underage crowd? Today the Shins take a break from the grown-up world to play a set for toddlers at the Kennedy School's lovely You Who! kid's rock show series. It's super sold out, but maybe you'll get lucky. SARAH MIRK
LISTEN:
Divers - "Glass Chimes"
DIVERS, BIG EYES, FREEDOM CLUB
(The Know, 2026 NE Alberta) Few things are more concisely satisfying than a perfect 7-inch single, and the debut from Divers, out on Olympia's Rumbletowne Records and available for free download on the Rumbletowne site, is exactly that. The new Portland band, formed from the remnants of the much-loved Drunken Boat, has crafted two marvelous tracks—gritty, tender, heavy, wistful rock numbers torn straight out of the Boss' playbook, with a bit of punk snot for good measure. A-side "Glass Chimes" features guest vocals from RVIVR's Erica Freas alongside Divers frontman Harrison Rapp, and it's an urgent, captivating, full-throttle ride with an indelibly hooky melody. B-side "Montrose" (also known as "Brothers") might be even better, a lengthy ode to a long-gone friend that ends with a double-time call to arms. These are astonishingly good songs, and all signs indicate that Divers is an astonishingly good band. They punch you right in the gut—and you'll thank them for it. NED LANNAMANN
THE BUSINESS, THE DOWNTOWN STRUTS, RUM REBELLION, SHOCK TROOPS
(Rotture, 315 SE 3rd) A relic from 1979, South London's the Business still hold that Oi! spirit—yelling stories about politics, society, drinking, and girls over crude punk constructions. But there's a sense of unity and belonging here, one that's delightfully appealing to those who may be feeling lost. The band's most recent, 2010's Doing the Business, sports those same brisk, runaway drum beats and steady, up-tempo guitar strains. Their sound hasn't really changed much over time, but there's nothing like some good throaty, angry, body-thrashing British punk music to make your Sunday night (and potentially ruin your Monday). To wit: No one judges you when you enter the pit, and certainly no one cares at all if you're dancing "properly." Lose control and take comfort in the fact that if you take an elbow or even a skull to the face, the perpetrator will likely pause to check that you haven't lost consciousness before thrashing on. ELENA BUCKLEY
PANTERA CELLO PROJECT
(Wonder Ballroom, 128 NE Russell) There is only one band in Portland who could adequately pay tribute to the 20th anniversary of Pantera's Vulgar Display of Power, and that band is... the Portland Cello Project. Known for executing unexpected genres, PCP might deliver the only Pantera concert that doesn't threaten a case of tinnitus. MARJORIE SKINNER
ILYAS AHMED
(Nationale, 811 E Burnside) Read our article on Ilyas Ahmed.
BENEFIT FOR JEN McCARGAR AND KENNY ZIMMERMAN: GASHDIG, THRESCHER
(Ash Street Saloon, 225 SW Ash) Read our article on Gashdig and Threscher.
The crew that makes up TxE have been, collectively and individually, almost too busy to stay on top of lately, and today they added one more thing onto that leaning, teetering stack of activity that's threatening to dominate local hiphop. It's the brand-new video for "The First One," shot on location at Franklin High with a palpable hometown flair. "The First One" is the opening track from TxE's just-released debut album We Get It in True, which Fresh Selects is currently offering for free download. Can't beat that.
Not that TxE aren't going to try: First off, emcee Tope (the T in this particular equation) has his own record coming out next month on Amigo Amiga Records. Until the Next Time We Meet is Tope's second solo album, and he'll be doing a release show for it on Friday, March 16, at Backspace.
Meanwhile, Calvin Valentine—AKA G_Force, AKA the production maestro behind Tope and Epp's raps—also has his own solo record out, Red Eye Flights, which is also available for free download. To grab that, head on over to Potholes in My Blog, where you can also check out the video for Calvin Valentine's "On My Way."
Not to be overshadowed, Epp has a number of projects in the works for later this year. But let's not get greedy. With two free records and a third album on the way, there's plenty here to keep you occupied. I probably forgot to mention like 50 other things they've been working on anyway.

Sometimes, though, it’s just a surplus of output from a jittery, prolific artist, as seemed to be the case with Craig Finn’s recent foray into the solo realm. Its meh response was a less than persuasive endorsement to attend last night’s show at Doug Fir, but recalling the pain I felt seeing Sebastian Bach live in front of 45 people at a 1,000-seat theater in California, I needed to show support.
THE JEALOUS SOUND
(Hawthorne Theatre, 1507 SE 39th) Read our article on The Jealous Sound.
CALEB KLAUDER COUNTRY BAND, PETUNIA AND THE VIPERS
(The Spare Room, 4830 NE 42nd) I don't care if you don't like country music: the Caleb Klauder Country Band is the best live band in Portland. When this crack team of ace players lets 'er rip, the dance floor explodes in a hullabaloo of twangin', twistin', good old-fashioned American music. Don't miss the expert yodeling of opening band Petunia and the Vipers. NED LANNAMANN
SLABTOWN REOPENING: CHEMICALS, BLOODTYPES, DEFECT DEFECT
(Slabtown, 1033 NW 16th) After changing hands following this year's Bender, Slabtown reopens its doors tonight, ushering in a new era of rock, booze, pinball, and other disreputably fun times. If that's not enough, how does Giant Ruinous Monster Wrestling grab ya? For tonight's grand reopening, Slabtown's new owner Doug Rogers claims that there will be exactly that—it's kind of their own version of Boston's Kaiju Big Battel, in which grown adults wear monster costumes (along the lines of Godzilla and Gamera) and grapple each other. I can't think of anything more hilarious, and neither can you. There will also be live music and DJs, plus free food—so there's no excuse to miss the dawning of the new Slabtown. NL