I CAN LICK ANY SONOFABITCH IN THE HOUSE, SEPARATION OF SANITY, JACKRABBIT, MATT WOODS
(Dante's, 350 W Burnside) "They don't make men like Andy Griffith anymore," sings I Can Lick Any Sonofabitch in the House's grizzled frontman Mike Damron on his band's new LP, Mayberry. It could be argued that they don't make guys like Damron anymore either. The band's long been a staple of the Northwest's Southern-fried punk underground, sharing stages with such touring acts as Drag the River, Two Cow Garage, and more. On their new album, ICLASOBITH treads familiar territory: Mike D's ongoing fuck you to conformity, spliced with tender, anthemic diatribes on family values, government, and religion. The energy of the band's beginning stages remains very much alive, which you can chalk up to the consistency in their lineup, from the rhythm section of Mole Harris and Flapjack Texas, to the fantastic harpist Dave Lipkind, to lead guitarist Handsome Jon. This release show will be a rocker. RYAN J. PRADO
MIC CRENSHAW, REDRAY FRAZIER, FINGERPAINT AFRO JAZZ, DJ DEFF RO
(The Know, 2026 NE Alberta) Local emcee Mic Crenshaw may choose to call Portland home, but it's abundantly clear that his musical influence extends far beyond the borders of our town. A recent trip to six cities in Africa as part of the Afrikan Hiphop Caravan found him touring with the likes of political rappers Dead Prez, who then found time to record the track "Superheros" with Crenshaw, featuring production by Maestro of D-12. Tonight marks the release of a new EP for Crenshaw, titled Bionic Metal. The resulting effort is an ode to his Midwestern roots, with prominent shoutouts to Minneapolis. It also finds him in the precarious position of rapping over rock production, a move which thankfully ends up sounding more like the Judgment Night soundtrack than it does Limp Bizkit. RYAN FEIGH
DON AND THE QUIXOTES, FRUIT OF THE LEGION OF LOOM, THEE HEADLINERS, GHOST TRAIN
(Kenton Club, 2025 N Kilpatrick) It took 10 years for Portland's own Fruit of the Legion of Loom to release its first album, but Humandatory Genocide is now an actual thing, and one that will surely burn up the hit parade. After all, nothing says chart success like "instrumental concept album," and Legion of Loom's zooming, gonzo shredding is the sort of thing that makes music writers type words that wouldn't otherwise exist in the English language, like "frenetic" and "skronk." There are three acts to the sci-fi themed Humandatory Genocide, and the story itself is all laid out inside the CD booklet, although I doubt it will help much to get your bearings. Instead, sit back and let the instru-mental (sorry, another bullshit music critic tactic) trio's mathy, metal-tinged, progressive delirium work you over. Tonight's CD release is also the release show for Teflon Don, album number two from surf-rockers Don and the Quixotes. NED LANNAMANN
BRAHMS' FIRST SYMPHONY: OREGON SYMPHONY
(Arlene Schnitzer Concert Hall, 1037 SW Broadway) Achtung, procrastinators: Did you promise yourself you'd finally catch at least one Oregon Symphony concert this classical season? If so, heads up that tonight, tomorrow, and Monday mark the very last shows of 2012/2013, so get your skinny-jeaned asses in gear and grab some tix before the band embarks on their richly deserved summer vacay. Maestro Carlos Kalmar and the gang kick off this glorious program with a rousing seven-minute overture from Franz von Suppé before turning things over to guest soloist Jennifer Koh—a globally acclaimed fiddler who I guarantee will dazzle the crowd with a brilliant Hungarian violin concerto by Béla Bartók. Following Ms. Koh's gypsy virtuosity, Stumplandia's ultimate cover band will soar with the old-school sounds of Brahms' massive Symphony No. 1. Jesus H. Christ, people, pass up the PlayStation and nix the Netflix for just one goddamn night. It's high time for some fucking culture... unplug and get you some at the Schnitz! ANGRY SYMPHONY GUY
HARRY SMITH TRIBUTE
(Mission Theater, 1624 NW Glisan) Music archivist Harry Smith—responsible for Folkways' classic Anthology of American Folk Music—was born in Portland almost 90 years ago. Tonight Portland musicians (Ural Thomas, MidLo, W.C. Beck, more) pay homage with covers of songs from Anthology. Need more Smith? On Thursday, there's a screening of his animated films at the Hollywood—along with a séance to speak with Smith's ghost... ooooookay. NED LANNAMANN
PAINTED PALMS, PHONE CALL, BEAT CONNECTION
(Bunk Bar, 1028 SE Water) Reese Donohue and Christopher Prudhomme grew up on the same block in Lafayette, Louisiana, but didn't start making music together until they were separated by a few thousand miles in college. That sweetly Southern origin story belies the brainy complexity of Painted Palms' two efforts so far—their Canopy EP and the more recent "Carousel" 7-inch. Resounding vocals set against transcendent electronic textures make their music as pleasurable as it is interesting and even, yes, uplifting. Phone Call, the improbably handsome offshoot of local dance outfit Strength, will likely strike a more decadent note as they nail the atmosphere of a sexually aggressive '80s disco. Both of these bands will benefit from a crowd primed by a DJ set from Seattle's lauded Beat Connection. They are that unicorn of a synth band that inspires uncontrollable dancing while resisting every temptation to be campy. REBECCA WILSON
LITTLE SUE (3 PM); RADIATION CITY (7 PM)
(Music Millennium, 3158 E Burnside) New Light, the new album from longtime Portland songwriter Little Sue, summons an impressive lineup of collaborators to flesh out her equally impressive quiver of folky tunes. Produced and recorded by Mike Coykendall, Sue's saloon-steeped compositions bounce with peppy pianos, ukulele, and an especially unusual addition of clarinet, courtesy of Jill Coykendall. Guest musicians include Decemberists/Black Prairie accordionist Jenny Conlee-Drizos, as well as fellow Black Prairie member Annalisa Tornfelt on vocals/violin for the excellent "Energy: Love Song for West Virginia." This afternoon show at Music Millennium is totally free, as are downloads of Sue's album from Bandcamp. In lieu of charging for the record, Sue is requesting that people contribute to various Portland charitable organizations; a list of Sue's recommendations can be found on her Bandcamp page as well. RYAN J. PRADO Later this evening at Music Millennium, Radiation City also do an in-store performance, anticipating the Tuesday release of their excellent new Animals in the Median album.
CANNIBAL CORPSE, NAPALM DEATH, IMMOLATION, CRETIN, WORLD OF LIES
(Wonder Ballroom, 128 NE Russell) The first time I saw the cover of Cannibal Corpse's debut album Eaten Back to Life—which shows a zombie feasting on its own intestines—I thought it was a joke. Song titles like "Bloody Chunks" and "Scattered Remains, Splattered Brains" added to that notion. Of course I wanted to hear it. That was 23 years ago. Since then the band has successfully topped itself with each release, writing songs whose titles I'm even afraid to print here... in the Mercury... okay, they have a song called "I Cum Blood." It's silly stuff. But Cannibal Corpse's B-movie horror metal has outlived many of its contemporaries, proving they've probably eaten themselves back to life on more than one occasion. MARK LORE
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